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His was a comfortable, upper-middle-class existence, and it may have seemed as though nothing could disturb it. For a time, it seemed possible that the avant-garde might co-exist with the mainstream. Review our cookie policy for more details and to change your cookie preference. Interwar German painting could be savage, but it was also full of energy and optimism. We order glasses of water, which arrive hot disconcerting, but customary in China , and set about the multi-layered business of communication. Intensely driven himself, he says that the most important lesson he tries to pass on to his CAFA students is that self-discipline matters as much as creativity. Then, in , the Cultural Revolution began, and its epicentre was Beijing University.

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Xu Bing’s cultural evolution

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The timing was lucky, he says: the Western interest in post-Tiananmen China created an appetite for the work of Chinese contemporary artists.

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He is an expressive speaker, answering questions at length with a formidable intensity that lightens, endearingly, into occasional giggles. In —"by choice, not necessity"—Xu Bing joined the exodus of Chinese artists leaving for America, and took over the New York studio of his fellow expatriate Ai Weiwei. He is slight, almost boyish; dressed in stylish monochrome, with a Beethoven shock of dark hair and round, horn-rimmed spectacles. Everyone was reading Western thinkers, and I wanted to like the same things as my contemporaries, so I tried too.

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